Minggu, 30 Desember 2012

Free PDF A Short, Offhand, Killing Affair: Soldiers and Social Conflict during the Mexican-American WarBy Paul Foos

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A Short, Offhand, Killing Affair: Soldiers and Social Conflict during the Mexican-American WarBy Paul Foos


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A Short, Offhand, Killing Affair: Soldiers and Social Conflict during the Mexican-American WarBy Paul Foos

The Mexican-American War (1846-48) found Americans on new terrain. A republic founded on the principle of armed defense of freedom was now going to war on behalf of Manifest Destiny, seeking to conquer an unfamiliar nation and people. Through an examination of rank-and-file soldiers, Paul Foos sheds new light on the war and its effect on attitudes toward other races and nationalities that stood in the way of American expansionism.

Drawing on wartime diaries and letters not previously examined by scholars, Foos shows that the experience of soldiers in the war differed radically from the positive, patriotic image trumpeted by political and military leaders seeking recruits for a volunteer army. Promised access to land, economic opportunity, and political equality, the enlistees instead found themselves subjected to unusually harsh discipline and harrowing battle conditions. As a result, some soldiers adapted the rhetoric of Manifest Destiny to their own purposes, taking for themselves what had been promised, often by looting the Mexican countryside or committing racial and sexual atrocities. Others deserted the army to fight for the enemy or seek employment in the West. These acts, Foos argues, along with the government's tacit acceptance of them, translated into a more violent, damaging variety of Manifest Destiny.

  • Sales Rank: #145246 in Books
  • Brand: Brand: The University of North Carolina Press
  • Published on: 2002-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .59" w x 6.13" l, .76 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
Just as Herman Melville made his riveting and conflicted portrait of a Mexican War veteran in "The Confidence Man" speak to the nation's full history and predicament, this compact, meticulously researched, and dramatic study fully recasts race, empire, and class in the antebellum United States through its soldiers' stories. (David R. Roediger, author of "Colored White: Transcending the Racial Past")

Foos has a deep understanding of the society and politics of the U.S. Mexican War period. [His] scholarship is wide-ranging, reflecting a sensitive understanding of primary sources. (Richard Griswold del Casillo, San Diego State University)

Review
A provocative study of the social, economic, and political motivations behind the Mexican-American War.--Civil War Book Review



This book is well researched, and the author's arguments are frequently compelling. It helps fill an important niche.--Hispanic American Historical Review



This is a useful book that will contribute to debates over early U.S. empire building, labor history, and military service. . . . Foos does a fine job of explaining why the U.S.-Mexico War matters and why it should not be forgotten.--American Historical Review



Foos has a deep understanding of the society and politics of the U.S. Mexican War period. In his deconstruction of the volunteer ethic that pervaded the war he finds that the American soldiers rebelled against their regimentation and class subordination. Their undisciplined behavior in looting, raping, and committing atrocities arose from a complex of racial and class antagonisms. This book is a criticism of the 'glories' of the volunteerism during the war. The author's scholarship is wide-ranging, reflecting a sensitive understanding of primary sources.--Richard Griswold del Castillo, San Diego State University



Just as Herman Melville made his riveting and conflicted portrait of a Mexican War veteran in The Confidence Man speak to the nation's full history and predicament, this compact, meticulously researched, and dramatic study fully recasts race, empire, and class in the antebellum United States through its soldiers' stories.--David R. Roediger, University of Illinois



A provocative addition to the social history of the common soldier in the Mexican-American War.--Historian



[A Short, Offhand Killing Affair: Soldiers and Social Conflict During the Mexican-American War] is the first of its kind to view the Mexican War from the point of view of soldier as victim.--Post Library



[This book] deserves credit for raising new questions about a chapter in U.S. history in need of scholarly reappraisal. . . . [Foos] reminds us that the creation of an American empire carried a steep price for the victors as well as the vanquished.--Journal of Southern History

About the Author
Paul Foos teaches history at Georgia State University in Atlanta.

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Sabtu, 29 Desember 2012

PDF Ebook History of Modern Art (Paperback) (7th Edition)

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History of Modern Art (Paperback) (7th Edition)

Review

“This is a significant and usable text for all undergraduate students of art history, and a very good source book for graduate students. It is an excellent source book for students studying the late nineteenth to the twenty-first centuries.”     - ­Caterina Pierre, Kingsborough Community College CUNY   “It demonstrates a strong commitment to writing a history of modern art that is inclusive of women and artists of color. It is clearly written and works toward thorough consideration of a topic rather than superficial analysis. The best text for a course on Modern Art.”     - Cynthia Fowler, Emmanuel College   “Comprehensive, in-depth study of respective stylistic developments in history of modernism; high-quality photographic reproductions; fundamental investment in discussing objects through its own evidence; willingness of text and author(s) to adjust with the times.”     -  Mysoon Rizk, University of Toledo   “I am pleased with the inclusion of more women and artists of color and with the context, technique and source boxes. As well, I am pleased with the increased quality of reproductions.”     - Prudence Roberts, Portland Community College  

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About the Author

Elizabeth C. Mansfield  is Vice President for Scholarly Programs at the National Humanities Center in Research Triangle Park, North Carolina.  She  has taught art history at New York University and the University of the South in Sewanee, Tennessee . A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. Her 2007 book Too Beautiful to Picture : Zeus, Myth, and Mimesis was awarded the College Art Association’s Charles Rufus Morey book prize.     The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.

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Product details

Series: History of Modern Art Seventh Edition (Book 7)

Paperback: 9998 pages

Publisher: Pearson; 7 edition (December 22, 2012)

Language: English

ISBN-10: 0205259472

ISBN-13: 978-0205259472

Product Dimensions:

8.7 x 1.3 x 11.5 inches

Shipping Weight: 5.6 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

91 customer reviews

Amazon Best Sellers Rank:

#25,433 in Books (See Top 100 in Books)

I saw this book in a museum (the High Museum of Art in Atlanta, GA) and had the chance to peruse the museum's copy (which was of the previous edition) before buying it. After just spending 15-20 minutes with it in the museum, I became convinced that it was worth the hefty price. Now, having purchased the most recent edition, I am glad I did. It is an expensive book, but worth the price, in my opinion, as it contains a wealth of information and a wealth of art.The book was originally written by H.H. Arnason, who, as the book's Preface explains, was Professor and Chairman of the University of Minnesota's Art Department from 1947 to 1961. He also held other posts and was affiliated with the Guggenheim Museum. Since Arnason passed away some time ago, recent editions of the book have been updated by Elizabeth C. Mansfield (Associate Professor of Art at NYU), who has brought the book up to the present (as recent as 2006) with sections on globalization and postcolonial theory.Both Arnason and Mansfield are clearly intelligent scholars who place the art within its historical context to help us to see what it did, where the innovations were, and what conflicts and issues were live at that time. For example, the opening chapter deals with the legal case between Ruskin and Whistler, in which Whistler sued Ruskin for libel when Ruskin defamed Whistler's painting "Nocturne in Black and Gold." The battle was over whether Whistler could charge such a large amount of money for something that, in Ruskin's eyes, was not art. The (his)story is told in a very readable way, with the painting shown, and it is a perfect and intelligent way to open the book, since a crucial issue involved in modern art is, what makes it art and who decides?I have not had time to work my way through the whole book (it is 830 pages), but I have liked very much what I have read so far. The index is handy for finding the artists one is interested in, if you don't want to wade through the book, since the chapters are organized thematically. The book may be intended for College textbook use, but I think it is definitely interesting enough to be read by anyone interested in art and painting. It's probably a bit too large and intimidating to work well as a real "introductory" book for someone who knows nothing about art or modern art (unless you have a seriously scholarly mind), but otherwise, I think it is as accessible as it can be given its size and scope, it makes for some great reading and it also passes as a good reference work. I recommend it.

Arnason goes into great detail for each art genre that existed during the 20th (and now 21st) century. It is a more engaging and explanative art history book than many others I have encountered. She writes in a fashion that is completely understandable yet very intelligent, rather than the strictly scholarly speak I have found in other volumes.

Nice overview of modern art. It's what I wanted. The particular copy I got was in good condition for an excellent price.

This is a pretty amazing treatment of the arts including photography and architecture from the late 19th century though the 20th to the early years of this century. It's not an easy read although well worth it. In addition to treatments of various works of art and artists the authors discuss their role inn the society of the time and in the larger scope of art.Janet Condino

Needed it for a class and it was helpful.

Bought for class, but really easy to read and love the photos. Nice book.

great book. Tons of info

Great book, but absurdly heavy. I guess that's the tradeoff for a durable book.

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Minggu, 23 Desember 2012

Free Ebook Greater Gospel MagicBy Duane Laflin

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  • Amazon Sales Rank: #6170953 in Books
  • Published on: 2000-07-21
  • Binding: Hardcover
  • 320 pages

About the Author After serving in the pastorate for seventeen years, Duane and Mary Laflin entered a full time traveling ministry that has taken them to nearly every state in the USA and to a number of foreign countries. They use gospel magic tricks to attract audiences and illustrate spirutual truth.

Their ministry has been a featured subject on the national radio program, The Osgood Files. Duane has also been seen performing tricks for television specials on The Discovery Channel and The Learning Channel.

Duane was the international president of the Fellowship of Christian Magicians for four years. He has written numerous pamphlets featuring gospel magic routines, published a magazine featuring gospel magic, produced five videos explaining gospel magic lessons and techniques, lectured and performed at every major convention of gospel magicians in the world, lectured and performed for nearly every major convention of secular magicians in America, and been a special guest performer and lecturer at the British Ring convention, which is one of the largest gatherings of magicians in Europe.

He also has been a guest lecturer at the Magic Castle in Hollywood, California.

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Rabu, 19 Desember 2012

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  • Sales Rank: #304011 in eBooks
  • Published on: 2014-01-04
  • Released on: 2014-01-04
  • Format: Kindle eBook

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Selasa, 18 Desember 2012

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In late November 2006 the whole world was shaken by a ruthless assassination in London of former lieutenant colonel of the FSB (the Russian security service and a successor to the KGB) and British citizen Alexander Litvinenko. This has been the most notorious crime in the past 30 years committed by Russian intelligence on foreign soil. Former Russian military intelligence officer and international expert in special operations Boris Volodarsky shows how the Russian poisoning operations started with Lenin and his Cheka, the predecessor of the KGB with intelligence operatives creating poisons and delivery methods as well as planning and carrying out poisoning operations all over the world in order to eliminate the enemies of the Kremlin.

  • Sales Rank: #1025092 in Books
  • Brand: Brand: Zenith Press
  • Published on: 2010-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.06" w x 6.00" l, 1.40 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

Review

"Here, for the fan of murder thrillers and modern history alike, is a cracking good read. In brilliant light we see what lay for nearly a century behind the London polonium poisoning of British citizen Alexander Litvinenko, former Russian. With original research guided by his insider's eye and scholarly care, Boris Volodarsky recounts scores of murders. Assassination emerges as state policy, as institutionalized bureacracy, as day-to-day routine, as laboratory science, as a branch of medicine researching ways not to stave off death but to deliver it in apparently innocent or accidental forms, and as engineering technology, devising ever-new devices to meet each new requirement, from umbrella tips and cigarette cases and rolled-up newspapers -- to Litvinenko's teacup." Tennent H. Bagley, former CIA chief of Soviet Bloc counterintelligence.



Library Journal

In September 2004, Ukrainian presidential candidate Viktor Yushchenko was poisoned by dioxin, which caused severe illness and disfigurement. In October 2006, journalist Anna Politkovskaya, a critic of President Vladimir Putin and his handling of the Chechen conflict, was shot to death in Moscow. In November 2006, former KGB officer Alexander Litvinenko was poisoned by polonium-210 and died after several days of agony. Litvinenko was known for publicly alleging that the Russian government was behind numerous acts of terrorism against its own people, including Politkovskaya's murder. These stories are familiar to most who follow international news. What many people do not know is that this type of assassination has a long history extending through Soviet regimes as far back as Lenin. Volodarsky, a former KGB officer himself, provides evidence that eliminating enemies by poisoning or other means is still business as usual in Russia, despite the political changes of the past two decades…[The KGB’s Poison Factory] will fascinate students as well as general readers interested in international espionage.

About the Author
Boris Volodarsky is a former captain of the GRU Spetsnaz and currently an independent intelligence analyst, a member of the World Association of International Studies (Hoover Institution, Stanford University) and has written a number of articles on intelligence for the Wall Street Journal. He lives in England.

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Rabu, 12 Desember 2012

Free Ebook Cardiac Catheterization and Coronary Intervention (Oxford Specialist Handbooks in Cardiology)By Andrew Mitchell, Paul Leeson, Nick West,

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Cardiac Catheterization and Coronary Intervention (Oxford Specialist Handbooks in Cardiology)By Andrew Mitchell, Paul Leeson, Nick West,

Cardiac Catheterization and Coronary Angiography is the first handbook-sized practical training guide for cardiology medical and technical personnel who want easily accessible, detailed information on how to perform a comprehensive left and/or right heart catheterization procedure, choose the correct catheter for coronary and graft angiography, perform a diagnostic coronary angiogram and interpret and understand their findings. Based on international cardiology and interventional society guidelines, it aims to demystify the investigations while remaining authoritative and concise.

  • Sales Rank: #1203674 in Books
  • Published on: 2008-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 4.10" h x .50" w x 7.10" l, .40 pounds
  • Binding: Flexibound
  • 312 pages

Review
"Can the history and techniques of cardiac catheterisation really be encompassed in a pocket-sized handbook? Clearly the answer is "yes"." From the foreword by Professor P.W.J.C.Serruys

About the Author

Dr Andrew Mitchell is a Consultant Cardiologist in Jersey, Channel Islands, and is an Honorary Consultant at the John Radcliffe Hospital in Oxford. He has special interests in non-invasive imaging, with particular expertise in transoesophegeal and intracardiac echocardiography. Other interests include the role of device therapy for arrhythmia management. Paul Leeson studied Medicine at St Andrews and Cambridge before moving to Oxford for Cardiology training. He is now a British Heart Foundation Fellow at the University of Oxford with a clinical research programme that studies the development of cardiovascular disease. Dr West is a Consultant Interventional Cardiologist at Papworth Hospital, Cambridge, formerly Consultant Cardiologist at Gloucestershire Royal Hospital and Honorary Consultant Cardiologist at the John Radcliffe Hospital in Oxford. Dr West trained in interventional cardiology in Oxford and in Auckland, New Zealand; research leading to award of MD degree with prizes by the University of Cambridge was performed at Duke University, North Carolina and the University of Oxford. His specialist interests include percutaneous coronary intervention, diabetic coronary disease and saphenous vein graft disease. Dr Adrian Banning has been a Consultant Cardiologist at the John Radcliffe Hospital since 1999. He is an interventional cardiologist, interested in research into the use of drug eluting stents, left main coronary artery disease and mechanisms of myocardial injury during PCI. Dr Banning is a former council member of the British Cardiolovascular Intervention Society.

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Rabu, 05 Desember 2012

Ebook Leaving Addie for Sam Field Guide: Guidelines and Templates for Developing the Best Learning ExperiencesBy Richard Sites, Angel Green

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Leaving Addie for Sam Field Guide: Guidelines and Templates for Developing the Best Learning ExperiencesBy Richard Sites, Angel Green

Make your foray into successive approximations successful and as easy as possible.
In the 2012 bestseller, Leaving ADDIE for SAM, learning professionals were introduced to the Successive Approximation Model (SAM) and the Savvy Start—the key to a successful project kick-off. Together, these concepts incorporate contemporary Agile processes that simplify design and development, yielding more energetic and effective learning experiences. This companion Field Guide provides the job aids, tools, and templates you need to put the SAM methodology in motion and take your ISD practice to new heights. Complete with a foreword by Michael Allen, this book is an essential resource to create better, faster training products and “move the needle” on current training efforts.

In this book, you will:
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  • Sales Rank: #461107 in eBooks
  • Published on: 2014-11-06
  • Released on: 2014-11-06
  • Format: Kindle eBook

About the Author
Richard H. Sites is the vice president of training and marketing at Allen Interactions, where he leads the strategic vision of Allen Interactions's custom development learning services, training and outreach, and authoring system, ZebraZapps. He also oversees the awareness of the company's advanced design and development approaches created by Michael Allen: CCAF-based design and the SAM process for iterative, collaborative development. Richard has more than 20 years of experience designing and delivering learning solutions to support improved workplace performance for many Fortune 500 companies in both academia and private industry. He has held the positions of vice president, client services and studio executive for Allen Interactions's Tampa studio.Richard travels the country speaking to groups and organizations on the value of SAM, the importance and power of engaging, performance-changing learning experiences, and other topics related to the design and development of high-quality training. He is the co-author of ATD's bestseller Leaving ADDIE for SAM and the Leaving ADDIE for SAM Field Guide. Richard holds a doctorate of education from the University of West Florida along with a master of education and a bachelor of business administration. He is also a frequent blogger on the Allen Interactions E-Learning Leadership blog.
Angel Green is a senior instructional strategist for Allen Interactions' Tampa studio, where she is responsible for providing consultation and instructional design expertise to clients, partnering to build engaging, interactive learning experiences. Angel has worked for organizations such as IBM, MetLife, and Pricewaterhouse Coopers, and holds both MS and BS degrees from Florida State University. An accomplished speaker,Angel has held positions as an adjunct instructor of public speaking and is past president of a Toastmasters International Chapter. She is also a frequent blogger on Allen Interactions' e-Learning Leadership and Iterations Blogs.

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Rabu, 07 November 2012

Ebook Free Robotics: Introduction, Programming, and ProjectsBy James L. Fuller

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Robotics: Introduction, Programming, and ProjectsBy James L. Fuller

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Robotics: Introduction, Programming, and ProjectsBy James L. Fuller

"Robotics - introduction, programming and projets" presents basic themes and practical applications in the emerging field of robotics, concentrating on the present and future developments of robotics for industry, business and personal use. The text stresses that robotics is a multi-disciplined field of study. Students learn that they must first understand robotics in general terms before concentrating their study on one of the many areas involved (mechanics, engineering, electronics, manufacturing, computers, systems, etc).

  • Sales Rank: #2049040 in Books
  • Brand: Brand: Merrill Pub Co
  • Published on: 1991-01
  • Number of items: 1
  • Dimensions: 9.00" h x 7.50" w x 1.00" l,
  • Binding: Hardcover
  • 512 pages
Features
  • Used Book in Good Condition

From the Publisher
Presents basic themes and practical applications in the fields of robotics.

From the Back Cover
More descriptive, less mathematical, and easier to read than other books on the subject of robotics. Provides an introduction to robotics—definition, history, description, applications, maintenance, human safety, artificial intelligence, rationale, the future. Investigates the intelligence of the robot and reviews robot sensors. Focuses on software, but devotes considerable attention to the electronics (computer hardware) of the robot. Designed to meet the needs of those with or without extensive technical background.

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Rabu, 03 Oktober 2012

PDF Download Poppy's Nursery for Bratty Girls (abdl, ddlg, ageplay, regression, punishment)By E.P. Morgan

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Poppy's Nursery for Bratty Girls (abdl, ddlg, ageplay, regression, punishment)By E.P. Morgan

Lily Stevenson is a proud and stubborn college girl, content to go through life with a sense of entitlement, living off her mother and being rude to everyone. When she's given an ultimatum that puts her commitment to laziness in jeopardy, she finds herself facing a predicament both bizarre and humiliating. But a long visit to Poppy's nursery is just what Lily needs to change her stubborn ways.A summer of regression, behavior modification and wet diapers is what lays ahead for this bratty girl.Warning! This is an adult story portraying erotic situations and elements of forced regression, ageplay, adult diaper training, spanking and punishment.Approximate length: 20,000 words.

  • Amazon Sales Rank: #624722 in eBooks
  • Published on: 2015-06-13
  • Released on: 2015-06-13
  • Format: Kindle eBook

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Senin, 20 Agustus 2012

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Chocolatier's Guide: Melting, Molding, Filling, Decorating Lollipops, Hollow and Solid PiecesBy Jerry Cheslow

Step by step instructions on melting and molding chocolate candies. It covers lollipops, 3-D molding, filling candies and caring for molds. It also provides a basic list of chocolatier's tools, with descriptions and use instructions.

  • Sales Rank: #682184 in eBooks
  • Published on: 2013-12-03
  • Released on: 2013-12-03
  • Format: Kindle eBook

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Selasa, 07 Agustus 2012

Download The Slow Regard of Silent Things (Kingkiller Chronicle)By Patrick Rothfuss

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The Slow Regard of Silent Things (Kingkiller Chronicle)By Patrick Rothfuss

The Slow Regard of Silent Things (Kingkiller Chronicle)By Patrick Rothfuss


The Slow Regard of Silent Things (Kingkiller Chronicle)By Patrick Rothfuss


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The Slow Regard of Silent Things (Kingkiller Chronicle)By Patrick Rothfuss

Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.

Her name is Auri, and she is full of mysteries.

The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows....

In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.

  • Sales Rank: #2873 in Books
  • Published on: 2015-11-17
  • Released on: 2015-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .40" w x 5.20" l, .0 pounds
  • Binding: Paperback
  • 176 pages

Review
Praise for Patrick Rothfuss:
 
"As seamless and lyrical as a song... This breathtakingly epic story is heartrending in its intimacy and masterful in its narrative essence."
—Publishers Weekly (starred review)
 
"Reminiscent in scope of Robert Jordan's Wheel of Time series and similar in feel to the narrative tour de force of The Arabian Nights, this masterpiece of storytelling will appeal to lovers of fantasy on a grand scale."
—Library Journal (starred review)
 
"It is a rare and great pleasure to find a fantasist writing...with true music in the words.... Wherever Pat Rothfuss goes...he'll carry us with him as a good singer carries us through a song."
—Ursula K LeGuin
 
"The Wise Man's Fear is a beautiful book to read. Masterful prose, a sense of cohesion to the storytelling, a wonderful sense of pacing.... There is beauty to Pat's writing that defies description."
—Brandon Sanderson
 
"Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous."
—Terry Brooks
 
"[Rothfuss is] the great new fantasy writer we've been waiting for, and this is an astonishing book."
—Orson Scott Card
 
"As with all very best books in our field, it's not the fantasy trappings (as wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss."
—Tad Williams
 
“This is an extremely immersive story set in a flawlessly constructed world and told extremely well.”
—Jo Walton, Tor.com
 
“It is the best book I have read it years, fantasy or otherwise.... The world is so deep, the stakes are so high, the characters so real, the mysteries so magical, the magic so mysterious, the plot so twisty…every day you haven’t read it is a day in your life that could be better.”
—Hank Green
 
"This fast-moving, vivid, and unpretentious debut roots its coming-of-age fantasy in convincing mythology."
—Entertainment Weekly

About the Author
Patrick Rothfuss currently lives in central Wisconsin where he teaches at the local university. Patrick loves words, laughs often, and dabbles in alchemy. His first novel, The Name of the Wind, was a Publishers Weekly Best Book of the Year. Its sequel, The Wise Man’s Fear, debuted at #1 on The New York Times bestseller chart and won the David Gemmell Legend Award. He recently released a novella, The Slow Regard of Silent Things, which is set in the same universe as his first two titles. His novels have appeared on NPR’s Top 100 Science Fiction/Fantasy Books list and Locus’ Best 21st Century Fantasy Fiction Novels list. He can be found at patrickrothfuss.com.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.



THE FAR BELOW BOTTOM OF THINGS

WHEN AURI WOKE, she knew that she had seven days.

Yes. She was quite sure of it. He would come for a visit on the seventh day.

A long time. Long for waiting. But not so long for everything that needed to be done. Not if she were careful. Not if she wanted to be ready.

Opening her eyes, Auri saw a whisper of dim light. A rare thing, as she was tucked tidily away in Mantle, her privatest of places. It was a white day, then. A deep day. A finding day. She smiled, excitement fizzing in her chest.

There was just enough light to see the pale shape of her arm as her fingers found the dropper bottle on her bedshelf. She unscrewed it and let a single drip fall into Foxen’s dish. After a moment he slowly brightened into a faint gloaming blue.

Moving carefully, Auri pushed back her blanket so it wouldn’t touch the floor. She slipped out of bed, the stone floor warm beneath her feet. Her basin rested on the table near her bed, next to a sliver of her sweetest soap. None of it had changed in the night. That was good.

Auri squeezed another drop directly onto Foxen. She hesitated, then grinned and let a third drop fall. No half measures on a finding day. She gathered up her blanket then, folding and folding it up, carefully tucking it under her chin to keep it from brushing against the floor.

Foxen’s light continued to swell. First the merest flickering: a fleck, a distant star. Then more of him began to iridesce, a firefly’s worth. Still more his brightness grew till he was all-over tremulant with shine. Then he sat proudly in his dish, looking like a blue-green ember slightly larger than a coin.

She smiled at him while he roused himself the rest of the way and he filled all of Mantle with his truest, brightest blue-white light.

Then Auri looked around. She saw her perfect bed. Just her size. Just so. She checked her sitting chair. Her cedar box. Her tiny silver cup.

The fireplace was empty. And above that was the mantelpiece: her yellow leaf, her box of stone, her grey glass jar with sweet dried lavender inside. Nothing was nothing else. Nothing was anything it shouldn’t be.

There were three ways out of Mantle. There was a hallway, and a doorway, and a door. The last of these was not for her.

Auri took the doorway into Port. Foxen was still resting in his dish, so his light was dimmer here, but it was still bright enough to see. Port had not been very busy of late, but even so, Auri checked on everything in turn. In the wine rack rested half a broken plate of porcelain, no thicker than the petal of a flower. Below that was a leather octavo book, a pair of corks, a tiny ball of twine. Off to one side, his fine white teacup waited for him with a patience Auri envied.

On the wall shelf sat a blob of yellow resin in a dish. A black rock. A grey stone. A smooth, flat piece of wood. Apart from all the rest, a tiny bottle stood, its wire bale open like a hungry bird.

On the central table a handful of holly berries rested on a clean white cloth. Auri eyed them for a moment, then took them to the bookshelf, a perch they were more suited to. She looked around the room and nodded to herself. All good.

Back in Mantle, Auri washed her face and hands and feet. She slipped out of her nightshirt and folded it into her cedar box. She stretched happily, lifting up her arms and rolling high onto her toes.

Then she ducked into her favorite dress, the one he’d given her. It was sweet against her skin. Her name was burning like a fire inside her. Today was going to be a busy day.

Auri gathered up Foxen, carrying him cupped in the palm of her hand. She made her way through Port, slipping through a jagged crack in the wall. It was not a wide crack, but Auri was so slight she barely needed turn her shoulders to keep from brushing up against the broken stones. It was nothing like a tight fit.

Van was a tall room with straight, white walls of fitted stone. It was an echo-empty place save for her standing mirror. But today there was one other thing, the gentlest breath of sunlight. It snuck in through the peak of an arched doorway filled with rubble: broken timber, blocks of fallen stone. But there, at the very top, a smudge of light.

Auri stood in front of the mirror and took the bristle brush from where it hung on the mirror’s wooden frame. She brushed the sleep snarl from her hair until it hung about her like a cloud.

She closed her hand over Foxen, and without his blue-green shine the room went dark as dark. Then her eyes stretched wide and she could see nothing but the soft, faint smudge of warm light spilling past the rubble high behind her. Pale golden light caught in her pale golden hair. Auri grinned at herself in the mirror. She looked like the sun.

Lifting her hand, she uncovered Foxen and skipped quickly off into the sprawling maze of Rubric. It was barely a minute’s work to find a copper pipe with the right kind of cloth wrapping. But finding the perfect place, well, that was the trick, wasn’t it? She followed the pipe through the round red-brick tunnels for nearly half a mile, careful not to let it slip away from her among the countless other twining pipes.

Then, with no hint of warning, the pipe kinked hard and dove straight into the curving wall, abandoning her. Rude thing. There were countless other pipes of course, but the tiny tin ones had no wrap at all. The icy ones of burnished steel were far too new. The iron pipes were so eager as to be almost embarrassing, but their wrappings were all cotton, and that was more trouble than she cared to bother with today.

So Auri followed a fat ceramic pipe as it bumbled along. Eventually it burrowed deep into the ground, but where it bent, its linen wrap hung loose and ragged as an urchin’s shirt. Auri smiled and unwound the strip of cloth with gentle fingers, taking great care not to tear it.

Eventually it came away. A perfect thing. A single gauzy piece of greying linen, long as Auri’s arm. It was tired but willing, and after folding it upon itself she turned and pelted madly off through echoing Umbrel, then down and down into The Twelve.

The Twelve was one of the rare changing places of the Underthing. It was wise enough to know itself, and brave enough to be itself, and wild enough to change itself while somehow staying altogether true. It was nearly unique in this regard, and while it was not always safe or kind, Auri could not help but feel a fondness for it.

Today the high arch of space was just as she’d expected, bright and lively. Sunlight speared down through the open gratings far above, striking down into the deep, narrow valley of the changing place. The light filtered past pipes, support beams, and the strong, straight line of an ancient wooden walkway. The distant noise of the street drifted down to the far below bottom of things.

Auri heard the sound of hooves on cobblestones, sharp and round as a cracking knuckle. She heard the distant thunder of a passing wagon and the dim mingle of voices. Threading through it all was the high, angry cry of a babe who clearly wanted tit and wasn’t getting any.

At the bottom of The Yellow Twelve there was a long deep pool with water smooth as glass. The sunlight from above was bright enough that Auri could see all the way down to the second snarl of pipes beneath the surface.

She already had straw here, and three bottles waited on a narrow ledge of stone along one wall. But looking at them, Auri frowned. There was a green one, a brown one, and a clear one. There was a wide wire baling top, a grey twisting lid, and a cork fat as a fist. They were all different shapes and sizes, but none of them were quite right.

Exasperated, Auri threw her hands into the air.

So she ran back to Mantle, her bare feet slapping on the stone. Once there, she eyed the grey glass bottle with the lavender inside. She picked it up, looked it over carefully, then set it back down in its proper place before she scampered out again.

Auri hurried through Port, heading out by way of the slanting doorway this time, rather than the crack in the wall. She twisted up through Withy, Foxen throwing wild shadows on the walls. As she ran, her hair streamed out behind her like a banner.

She took the spiraling stairs through Darkhouse, down and around, down and around. When she finally heard moving water and the tink of glass she knew she’d crossed the threshold into Clinks. Soon Foxen’s light reflected off the roiling pool of black water that swallowed the bottom of the spiraling stairs.

There were two bottles perched in a shallow niche there. One blue and narrow. One green and squat. Auri tilted her head and closed one eye, then reached out to touch the green one with two fingers. She grinned, snatched it up, and ran back up the stairs.

Heading back, she went through Vaults for a change of air. Running down the hall, she sprang over the first deep fissure in the broken floor as lithely as a dancer. The second crack she leapt as lightly as a bird. The third she jumped as wildly as a pretty girl who looked like the sun.

She came into The Yellow Twelve all puffed and panting. As she caught her breath, she tucked Foxen in the green bottle, padded him carefully with straw, and locked down the hasp against the rubber gasket, sealing the lid down tight. She held it up to her face, then grinned and kissed the bottle before setting it carefully by the edge of the pool.

Auri shucked off her favorite dress and hung it on a bright brass pipe. She grinned and shivered a little, nervous fish swimming in her stomach. Then, standing in her altogether, she gathered up her floating hair with both her hands. She brushed it back and bound it, winding and tying it behind her with the strip of old grey linen cloth. When she was done it made a long tail that hung down to the small of her back.

Arms held close against her chest, Auri took two tiny steps to stand beside the pool. She dipped a toe into the water, then her whole foot. She grinned at the feel of it, chill and sweet as peppermint. Then she lowered herself down, both legs dangling in the water. Auri balanced for a moment, holding her nekkid self up with both hands, away from the cold stone lip at the edge of the pool.

But there was no avoiding it. So Auri puckered up and settled herself the rest of the way down. There was nothing peppermint about the cold stone edge. It was a dull, blunt bite against her tender altogether hindmost self.

She turned herself around then, and began to lower herself into the water. She went slowly, tickling around with her feet until she found the little jut of stone. She curled her toes around it, holding herself thigh-deep in the pool. Then she drew a few deep breaths, screwed her eyes shut, and bared her teeth before letting go with her toes and ducking her nethers underneath the surface. She squeaked a little, and the chill made her whole self go gooseprickle.

The worst over, she closed her eyes and dunked her head beneath the water too. Gasping and blinking, she rubbed the water out of her eyes. She had her big all-over shiver then, one arm folded across her breasts. But by the time it was done her grimace had turned to grin.

Without her halo of hair, Auri felt small. Not the smallness that she strove for every day. Not the smallness of a tree among trees. Of a shadow underground. And not just small of body either. She knew there was not much of her. When she thought to look more closely at her standing mirror, the girl she saw was tiny as an urchin begging on the street. The girl she saw was thin as thin. Her cheekbones high and delicate. Her collarbones pressed tight against her skin.

But no. With her hair pulled back and wetted down besides. She felt . . . less. She felt tamped down. Dim. More faint. Feint. Feigned. Fain. It would have been pure unpleasant without the perfect strip of linen. If not for that, she wouldn’t merely feel like a wick rolled down, she would be downright guttery. It was worth it, doing things the proper way.

Finally the last of her trembling stopped. The fish were still turning in her stomach, but her grin was eager. The golden daylight from above struck down into the pool, straight and bright and steady as a spear.

Auri drew a deep breath, then pushed it out, wriggling her toes. She took another deep breath and let it out more slowly.

Then a third breath. Auri gripped the neck of Foxen’s bottle in one hand, let go of the stone edge of the pool, and dove beneath the water.

The angle of the light was perfect, and Auri saw the first pipetangle clear as anything. Minnow-quick, she turned and glided smoothly through, not letting any of them touch her.

Below that was the second snarl. She pushed an old iron pipe with her foot to keep herself moving downward, then tugged a valve with her free hand as she went past, changing speed and sliding through the narrow space between two wrist-thick copper pipes.

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