Kamis, 29 September 2011

Ebook Free The Nameless CityBy Faith Erin Hicks

Ebook Free The Nameless CityBy Faith Erin Hicks

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The Nameless CityBy Faith Erin Hicks

The Nameless CityBy Faith Erin Hicks


The Nameless CityBy Faith Erin Hicks


Ebook Free The Nameless CityBy Faith Erin Hicks

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The Nameless CityBy Faith Erin Hicks

Every nation that invades the City gives it a new name. But before long, new invaders arrive and the City changes hands once again. The natives don't let themselves get caught up in the unending wars. To them, their home is the Nameless City, and those who try to name it are forever outsiders.

Kaidu is one such outsider. He's a Dao born and bred--a member of the latest occupying nation. Rat is a native of the Nameless City. At first, she hates Kai for everything he stands for, but his love of his new home may be the one thing that can bring these two unlikely friends together. Let's hope so, because the fate of the Nameless City rests in their hands.

  • Sales Rank: #69018 in Books
  • Published on: 2016-04-05
  • Released on: 2016-04-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.46" h x .65" w x 6.13" l, .0 pounds
  • Binding: Paperback
  • 240 pages

From School Library Journal
Gr 4–6—Rat and Kaidu meet on the streets of the Nameless City. They are from different worlds: Kaidu is from the Dao clan, the current occupiers of the city, and Rat is a girl living on the streets and struggling to survive under Dao rule. But they form a fast friendship traversing the city using parkourlike exploring. As they get to know each other, they delve into the secrets of the Nameless City's history and come to realize that the only chance the city might have to survive is through unity instead of endless conquest. Though this is a visually appealing, action-packed story from a talented graphic novel artist, the seemingly deliberate lack of any cultural context is distracting and problematic. The story seems to take place in a Chinese-inspired world featuring Chinese junk ships, Chinese-style clothes, and words such as Dao, Yisun, Liao, and Yanjing, yet there is no further evidence that the setting is indeed China or anywhere in Central Asia. This appropriation of disparate elements of Chinese culture comes across as opportunistic; the author's fictional world borrows specific cultural aspects and ignores others strictly for the purpose of storytelling. This makes for a hollow and unsatisfying read on place and culture, and it keeps readers at a distance. Even the name of the book hints at a historically fraught practice: the continued occupation of the city is cited as the reason it is "nameless." Readers will be left wondering which people first named the place. VERDICT The borrowing of vaguely Asian-influenced cultural markers without deeper engagement or authenticity is too troubling to overlook. Not recommended.—Angie Manfredi, Los Alamos County Library System, NM

Review

"The artwork is breathtaking...lending each panel a richness that appropriately reflects a multifaceted culture." ―New York Times

"Faith Erin Hicks breathes life into her characters with gale-force winds. The Nameless City makes you feel everything its heroes are experiencing inside and out, from adolescent angst to the scrape of terra cotta tiles under a leaping boot." ―Bryan Konietzko, co-creator of Avatar: The Last Airbender

"Faith Erin Hicks is one of the best creators working in graphic novels today and The Nameless City is a fantastic introduction to an exciting new series. Looking forward to reading more!" ―Kazu Kibuishi, author of the Amulet series

"This tale of unexpected alliances has everything: winning characters, a sumptuous setting, and sharp observations about power and history. Hidden depths abound in The Nameless City." ―Scott Westerfeld, author of Uglies and Zeroes

"The beauty and construction of the Nameless City will leave you breathless. Faith has created a world so detailed and believable, it makes me want to explore the back alleys to see what is there." ―Jeff Smith, author of the Bone series

"Hicks’s sequential artwork is polished, and though males hold nearly all the political power, the female characters are mighty warriors the men respect (and sometimes fear)." ―Publishers Weekly, starred review

"Offer this winning graphic novel to fans of Fullmetal Alchemist and Avatar: The Last Airbender, who will appreciate its mix of fun and adventure and its exploration of questions of identity, belonging, and history. A superb beginning." ―Kirkus Reviews, starred review

" With comprehensive worldbuilding, well-rounded characters, and entertaining action, this expertly executed story will find a home with a wide variety of readers." ―Booklist, starred review

"Historical fiction fans will likely find this a gripping narrative about how people adapt to, quietly fight against, but mostly just endure lives under the control of others." ―The Bulletin of the Center for Children's Books

"Suitable for middle school but sophisticated enough to appeal to older readers, this title belongs in all libraries serving young people." ―VOYA Magazine, starred review

About the Author
Faith Erin Hicks is a writer and artist in Vancouver, British Columbia. Her graphic novels include Zombies Calling, The War at Ellsmere, Brain Camp (with Susan Kim and Laurence Klavan), Friends with Boys, Nothing Can Possibly Go Wrong (with Prudence Shen), the Bigfoot Boy series (with J. Torres), The Last of Us: American Dreams (with Neil Druckmann), the Eisner Award-winning The Adventures of Superhero Girl, and the Nameless City series.

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Selasa, 27 September 2011

Ebook Free Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme

Ebook Free Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme

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Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme

Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme


Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme


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Theatre and Testimony in Shakespeare's England: A Culture of MediationBy Holger Schott Syme

Holger Syme presents a radically new explanation for the theatre's importance in Shakespeare's time. He portrays early modern England as a culture of mediation, dominated by transactions in which one person stood in for another, giving voice to absent speakers or bringing past events to life. No art form related more immediately to this culture than the theatre. Arguing against the influential view that the period underwent a crisis of representation, Syme draws upon extensive archival research in the fields of law, demonology, historiography and science to trace a pervasive conviction that testimony and report, delivered by properly authorised figures, provided access to truth. Through detailed close readings of plays by Ben Jonson and William Shakespeare - in particular Volpone, Richard II and The Winter's Tale - and analyses of criminal trial procedures, the book constructs a revisionist account of the nature of representation on the early modern stage.

  • Sales Rank: #2592670 in eBooks
  • Published on: 2011-12-01
  • Released on: 2011-12-01
  • Format: Kindle eBook

Review
"While Shakespeare critics debate the merits of text versus performance, page versus stage, Holger Schott Syme's powerful new study argues for attending the relationship between the two. Early modern English law and theater both derive their lively oral evocations from written imitations of speech; in tracking this shared dependence on a scripted illusion of voice and presence, Syme offers original and unexpected insights into a broad range of dramatic and legal fictions, from comedies and romances to treason trials."
-Professor Lorna Hutson, University of St Andrews

"Theatre and Testimony is a masterful survey of how, against prevailing historicist and theoretical arguments on the writing and culture of this period, the Elizabethan and Jacobean world established multiple forms of authority, in particular in the fields of law and theater, through strategies which relied on mediation, circulation, and the multiplication of sources. Syme's analyses are profoundly revisionary, wonderfully original, even contrarian, and supported by a wealth of careful detail and intelligent and subtle readings. It is hard to overstate the extent to which his argument requires a revision of the way literary scholars since 1980 and the rise of New Historicism have seen Tudor and Stuart culture. This may be one of those rare books that makes scholars reconsider what has become received wisdom about early modern performance and its means of authorization."
-William N. West, Northwestern University

"Dense, erudite, complex, and compelling, this volume...does argue effectively for understanding the relationship between voice and text, and for 'conjuring reality through the denial of presence.'"
-Choice

About the Author
Holger Schott Syme is Associate Professor of English at the University of Toronto. His essays have appeared in publications including English Literary Renaissance, Shakespeare Quarterly and Textual Cultures and he is the co-editor of Locating the Queen's Men, 1583-1603: Material Practices and Conditions of Playing (2009). For the third edition of the Norton Shakespeare he is editing Edward III and The Book of Sir Thomas More and is writing an extended essay on the theatre of Shakespeare's time.

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